For its annual Spring benefit dinner, the IPCNY will honor Lea, Luis, and Shaye Remba, along with artist Dorothea Rockburne and Stephen Coppel of The British Museum. Lynn Boland, director of the Gregory Allicar Museum of Art at Colorado State University will introduce the Rembas. This annual benefit celebrates the field of print, honoring three of … Continued
Los Angeles, CA (October 10, 2017) – Mixografia is pleased to present Self-Portrait, the studio’s latest edition and first collaboration with artist Alex Israel. These prints will be exhibited with a reception for the artist at Mixografia, 1419 East Adams Boulevard, on Saturday, November 4th from 2:00pm to 4:00pm. In Self-Portrait, Alex Israel takes … Continued
Leopoldo Mendez, Homenaje a Posada, 1953. Linoleum cut on Arches paper. 19 X 35 inches. MIxografia will be hosting an exhibition “From Mexico City to LA: A Visual History of Graphic Art” at the gallery’s Los Angeles location. The exhibition, in participation with the Getty Foundation’s 2017 programme “Pacific Standard Time: LA/LA”, will bring together … Continued
Mexican artist Abraham Cruzvillegas stands amid his sculptures in an exhibition at Regen Projects in 2016. Cruzvillegas and the gallery will be part of Pacific Standard Time programming in the fall. (Genaro Molina / Los Angeles Times) Carolina A. Miranda – Contact Reporter July 11, 2017 In the fall, more than 60 Southern California museums … Continued
John Baldessari Mixografia, Los Angeles, California Preview by Mario Cutajar John Baldessari, “Yellow” from “Eight Colorful Inside Jobs,” 2017, Mixografia® print on handmade paper, 22 x 17 1/2″ Continuing through July 15, 2017 In his collaboration with the Mixografia® printmaking studio, now spanning more than 20 years, John Baldessari has returned to ideas previously … Continued
Gallery will be closed July 1st- July 4th. Happy 4th of July!
Artist John Baldessari, 85, in his Venice studio. (Kirk McKoy / Los Angeles Times) By Deborah Vankin Contact Reporter Saturday, May 20, 2017 Three words: John Baldessari’s desk. It’s a beautifully messy place, a creative vortex of text and imagery that one of his staff members calls a hub for “the brains of the operation” at … Continued